I see the New York Times hates 1 World Trade Center, recognizes how bad it is. Good. It’s a piece of shit. I wrote a poem about it, how it broke my heart:
I’m angry at the 1
World Trade Center
an original vision stray and lonely
reacting to fear
floors devoted to concrete, glass bent
of sturdy solitary
crude fortifications, a reminder for when
they were two, standing there
looking at the sunrise on the sea,
out to harbor saying hello duo
Liberty winking, a memory
now just one
child of greed and ambition, scrambled shape
to hide the wound, steeled in place
a lifeless echo, echo of everything and the void
wrapped around a towering rod
reaching for radio waves and emitting
to the lost
“come find me”
gamergate best thing for SJWs prop OH
fourth wave feminist, network net worth
infiltrate the media in acts
you will see, it is about ethics in video games
bullies in headlights, right-wing vultures punishing harlots, men
harassing from on high, opera tune twist the knife
SJWs in IRC chat rooms
who is spy and who is snitch,
who is Queen SJW riding in the night
on brooms of illusion, in flew ants and army
gamers defeated by women on TV, how pathetic
rings the inner sneer
consumer cultured in a petri dish, cap it all off
with a ban on matter and polarity tricks
grumble, shade and nod, in ether out of acorns and Briar Wood
a struggle to accept what they’ve been denying, lying
what balance is here
and your tea
are the same thing
It’s been a while since I updated this blog with a post on my personal problems, as if you, dear Internet, were a kind and old friend. Maybe you are. I have some good news, bad news, and neutral news from this last year to share with you. And yes, my crotch is still relatively fine, thanks for asking.
Since my last post, I’ve managed to get health insurance this May through ObamaCare, though that was canceled last month. The government had BlueCross terminate my insurance because they didn’t believe I was an American citizen. The irony!!! Their issue wasn’t my birth certificate, but my green card number. I never put my number on the healthcare insurance marketplace form, because I don’t have it, it is lost to me. For some inexplicable reason, this little laminated card was super important to the government. I do have a social security number and American passport and pay my taxes, but because the green card number was missing, my claims of American citizenship were suspect. (If you’re wondering, I became naturalized when I was 16 somewhere in New Jersey, with my mom.) That stressful bureaucratic bullshit was resolved last week and I can now go through the delightful process of re-enrolling for health care insurance. Yay! Times like these really don’t help me convince myself that my life is not one big cosmic joke. Read the rest of this entry »
Some other night at 3am while browsing YouTube videos when I should have been sleeping or writing, I came upon the above video and watched it multiple times in a row. Each time I watched it, this feeling in my chest grew. At first I thought it was love and laughter, but then it turned into sadness and worry. I will call this feeling a Peace-in-the-Middle-East-itis that ultimately left me with a low opinion of myself, one that described me as a naive and ridiculous person. Because you know, that inexplicable desire for global peace, the one all beauty contestants are mocked for expressing? Yeah. That. It’s so silly to even think about these things as it is far outside my area of expertise… but I went with it, as a thought exercise. How could the West effectively help solve the “ongoing crisis” that is the Middle East? What I came up with was a Middle Eastern Union.
I realize Israel probably won’t go for a plan like this, but let’s suspend disbelief and pretend they would. Actually, no, let’s just keep them outside of it for now, as well as Egypt.
The MEU could work like our democratic system with two “houses,” one house where every country gets one vote (representative, etc), and one where every country gets votes (or representatives) based off GDP. (Think “bicameral” like parliament or the US congress) The MEU doesn’t even need to be bicameral, they can just do this GDP thing. Countries with higher GDP get 2 votes, as opposed to lower performing countries who get 1 vote. (The map below is from 2007 and very out of date, and does GDP per capita… but I am using it because it is a good visual aid for you dear reader. Nominal GDP map of 2014 is here, GDP per capita from 2012 is here)
In recent days, I was asked by editors at Motherboard to review a science documentary. The PR pitch for the film seemed interesting enough, however, upon watching the whole documentary, I found myself caught up in a moral dilemma of the feminist type. Why? Because the documentary, female-centric in story and production, was terrible.
The email, more or less, that I sent my editor about the documentary:
The documentary didn’t focus enough on the science which was by itself quite interesting (this genetic disorder disproportionately affects Puerto Ricans, for ex) with the film opting instead for a human interest angle that was barely relatable. There were few emotional moments that connected with the viewer. The interview subjects themselves were a bit derp (overweight, unattractive, elderly, lacking eloquence or all of the above), and the awkward hokey music that played over their camera time didn’t help at all. They said their life sucked, but I as a viewer was never shown any substantial example of how their life sucked. I was bored and disinterested throughout. The animated story in the very beginning of the doc was the best part.
In addition, the documentary did a poor job of explaining the science. I was confused over whether or not the drug on clinical trial was approved by the FDA, and then later, why it was not approved. The film mentions at the end the same drug was approved in India, Europe and Japan but never explains the politics or why this is the case. I realize this was because they were trying to focus on the people, but the people were not as interesting as the science or the politics behind the science.
I generally rate Motherboard documentaries as a 8 or higher (out of 10)….I would put ______ at a 4.
I opted to not complete the assignment. I could have written something positive about the film despite not enjoying it or finding it sharable, but I found this option just as morally wrong as publishing the negative review. True, the negative review would have led to more publicity for the film, and this team of film-makers, but I don’t believe all press is good press when you are dealing with sexist environments like those found in filmmaking in general as well as documentary-filmmaking.
The documentary filmmaker, a lady scientist, had received awards for her work on PBS and such a decade-plus ago, so I was surprised by how not enjoyable her latest project was. It’s almost like she can’t compete now, in this age of everyone-is-a-filmmaker-on-YouTube. It might have been good enough for PBS in the 1990’s, but not now.
This whole personal dilemma of mine reminds me of Buzzfeed getting press last fall for their decision to not write negative reviews. The rebuttal to their “no negative reviews” position came from Gawker, of course, who argued news outlets are not supposed to be extension of publicists and PR firms, (a laughable position when you look at sites like TechCrunch and PandoDaily). This argument is fundamentally true, news outlets are not supposed to be beholden to publicists by any means, but I don’t see the merit in smacking down an older woman in a tough field for delivering a shitty product.
Is my thinking wrong here?
commentary and unused notes from my Motherboard article “Did Russia’s Vladimir Putin Just Endorse a Ukrainian Post-Apocalyptic Video Game?”
This post is recommended for readers
- who are already familiar with the Areal/Kickstarter/West Games controversy,
- read my relatively neutral news piece on VICE’s Motherboard about West Games and want commentary and analysis
I couldn’t help but notice that every media outlet that accused West Games of being a scam, or illegitimate, failed to mention the indie company is based out of Kiev. Cringe-worthy, I know. I get that West Game’s ineptitude at what appears to be all online media and activity is overwhelming to us Westerners, but that is no excuse to ignore context and plausibility. Are we really going to pretend that the deteriorating relationship between Russia and the Ukraine, where a few months ago snipers were firing on people in Kiev proper, wouldn’t affect a video game company trying to get shit done? Like maybe this is why they are still in pre-Alpha and don’t have any new concept art from this year?
But hey, I am primarily talking about video game journalism here, so I can’t really be that surprised by lack of context. I was shocked, however, by how big of a critic West Games made in Forbes blogger Erik Kain. (Check out hisseries of negative posts about the company, including his latest which urges “backers to get out now” as the campaign may or may not be “a total scam.”) Clearly he hasn’t finished scratching his “West Games sucks” writing itch. West Games PR is so shockingly bad, they’ve driven this blogger into a spiral of distrustful, angry posts about them and made an enemy out of reddit of all places, reddit, who loves the STALKER series!
Unlike Kain (and reddit), however, I am not enraged. This lack of anger allows me to see clearly what West Games biggest “red flag” is, and that is their PR person is a moron. To quote Hanlon’s razor,
Never attribute to malice that which is adequately explained by stupidity”
More on that stupidity in a bit, but first, I personally don’t think the Kickstarter is a scam. I base this viewpoint on my emails with Kim, and I think they will eventually finish their game as it sounds like they have a plan to do so.
On the use of the Unity presets, Kim wrote “many game developers use unity assets and presets to convey their game, with a more prominent example being Wasteland 2, from Inxile Entertainment.” Using Unity presets to show off a game in pre-alpha is not unheard of or unusual. STALKER didn’t have particularly amazing graphics any way.
Kim estimates Areal will be complete in late 2015 with some Kickstarter backers getting Alpha or Beta access if they choose those rewards. West Games plans to hire more people as “development ramps up” to help finish Areal, as their small team can’t handle the ambitious project alone. Kim wrote quite a few local game developers were interested in working with them, before adding “there are a lot of highly experienced video game developers right now who are out of work in Ukraine, and we’re more than happy to employ them.”
This spring, Polygon found most Ukrainian video game developers had been laid off because of the conflict, were considering leaving the country, or had escape plans ready should the situation worsen. “This might be the end of our country, so of course people are looking elsewhere,” game developer Sergey Galyonkin told Polygon at the time. In an email about the physical dangers in the Ukraine, West Games seemed more patriotic than earnest. They don’t have any escape plans at the moment because right now “it’s safe in Kiev!” but were quick to add “we do plan to move over time” though.
Now, back to how West Games doesn’t know how to Internet. They’ve already admitted they were woefully unprepared to run a Kickstarter campaign, but not being good at running one does not necessarily constitute a crime worthy of Internet harassment. If that was West Games only issue, than okay, I’d feel sorry for them.
The Kickstarter fumbling is not their only PR problem, however. Their entire team seems preoccupied with what is going on online rather than getting shit done. They’ve literally spent the bulk of their time since launch of their Kickstarter campaign in June proving they are who they say they are, instead of actually working on their game.
Unpublished quote on all the trolls, critics and haters:
“It has been incredibly difficult,” wrote Kim in an email. “It has definitely affected us from a monetary standpoint,” he added, and “it’s hindered development, but as you can see with the early gameplay teaser, it hasn’t stopped it.”
An example of a West Games troll that got the entire team worked up in to a tizzy:
If their PR person managed to do their job properly, the rest of the team wouldn’t be caught up in all this online drama, and in an “information war” between Ukraine and Russia. With the death threats, online impersonations, and known Kremlin-backed trolls paid to live on and disrupt Western media sites, West Games’ skepticism of all Western press and unwillingness to engage in most online activity is understandable, but unfortunately online engagement is necessary in order to run a successful Kickstarter.
West Games could turn all this negativity around if they were actually honest about their situation and plans, and a good place to do this would be their Facebook and Twitter, but activity on both those social media platforms is practically nonexistent. Their AMA was a ruined opportunity to regain the public’s trust, as instead of actually engaging the community, West Games cut and pasted from their Kickstarter. Of course redditors freaked out and raged. Granted, the inaccurate online sleuthing on reddit reads more like a witch hunt than citizen journalism, but at least the community’s heart is in the right place. Reddit wants a new STALKER game, for crying out loud! By appearing shady and closed in the AMA, West Games added fuel to the skeptic fire and made more enemies.
Finally, West Games doesn’t know how to engage with press online. They’ve been going after media outlets for being critical of their Kickstarter but even if West Games firmly believes these outlets have been infiltrated by the Russians, they need to stop attacking the press. (Forbes quality deteriorated with the advent of their new blogging section, NOT because “of China,” this is known.) Every time West Games denounces an outlet, it gives the outlet’s post more credibility and legitimacy and makes West Games look even more paranoid than they already are.
Besides dissing outlets, West Games needs to stop demanding journalists do things for them, including changing things after an article has gone up. A personal example: Kim emailed me after my post went up asking me to change what video I linked to in my piece, because the new video they just made looks better, completely missing the point on why I linked to the crappy West Games video in the first place. I linked to the first video and called it “shoddy,” so don’t ask me to then link to a video that is not shoddy when I am pointing out how unprepared your Kickstarter game is.
To conclude, West Games needs to fire their PR person ASAP (their CEO Eugene Kim seems to be doing most of that work anyway) and focus more on actually building their potentially supercool game.
Update: This kickstarter was suspended due to West Games violating their rules and Terms of Service. I’m not surprised, given all the dishonest behavior.
In the past week, there have been two heavily publicized instances of little girls stabbing their loved ones in the name of Slender Man; the first being the two 12-year-old Wisconsin girls charged last week as adults for stabbing their “best friend” last year, the second a 13-year-old in Ohio who tried to stab her mom while wearing a white mask. The media has tripped over themselves trying to explain Slender Man, and inadvertently (or purposefully) demonized Creepypasta, unsupervised Internet usage and online culture. Even those outlets that did not demonize these suspects still failed to properly portray the reach of Slender Man and the stabbings in context of the Slender Man community.
Like all killings the media takes a shine to, a large roster of armchair psychologists have come out of the woodwork to bloviate on Slender Man. Everyone, including those not qualified, especially those not qualified, are theorizing on online culture while completely glossing over the community aspect of a phenomenon like Slender Man. Folks that are qualified to write about online culture, like this lady at the Washington Post, this lady at the Verge and this gentlemen at the Awl (not linking to said trollish article), have also massively fumbled to explain these stabbings in context of the community. (Why the Verge is linking to the awful tone-deaf Awl piece is beyond comprehension, but that’s a post for another matter.)
So here’s the first thing wrong with all this Slender Man stabbing coverage: the absence of Pew Die Pie and adequate mentions of Slender Man in video games
Why is top YouTube celebrity Pew Die Pie important? Well, a large portion of his fan base comprises of girls in the same age range as the little girls stabbing their loved ones. Teens and tweens don’t watch TV as much any more, they watch YouTube and play video games. Pew Die Pie’s main claim to fame is his Slender Man videos and many little girls got into Slender Man because of his charming accent, golden locks and good looks. My now-13-year old brother used to complain all the time about how all the girls in his class are obsessed with Pew Die Pie, and subsequently Slender Man because of Pew Die Pie. My evidence is anecdotal, but that doesn’t make it less true. In the case of the Wisconsin girls, they cite and favor video game lore; they want to go to Slender Man’s mansion, which only exists in the video game. A video game made popular by Pew Die Pie.
The little girls first tried to stab their friend in a public restroom, then in the woods. Both scenes, of Slender Man catching up with you in a public restroom and in the woods, happen in the first episode of Pew Die Pie’s Slender Man video series. Is Pew Die Pie responsible for the stabbings? No, of course not.
In the case of the 13-year-old girl, her mother mentioned her daughter plays Minecraft, and the ultimate bad guy in the game is Enderman, a creepy figure the creator of Minecraft admitted to being inspired by Slender Man. Is Minecraft responsible for the stabbings? Again, no, of course not, but yet again every outlet has failed to mention the Slender Man-inspired monster in Minecraft.
The second thing wrong with all this Slender Man coverage: it glosses over the role of the community WHICH NOW INCLUDES THE PRESS in perpetuating the Slender Man myth.
Think of Slender Man as a community art project, where for years now adults, teens and tweens have been fabricating fake news articles, photographs, and even video games and comics, about Slender Man, this all-powerful, all-knowing spectre-monster with long arms (shaped like claws, or tree branches, or tentacles depending on the artist) that mind controls and kills people. When these two Wisconsin girls say they wanted to honor the Slender Man myth, to make him “real” and prove the “skeptics wrong,” it sounds more like they wanted to participate in the community by creating the most credible news article about Slender Man ever. They didn’t want to make him real by doing another photoshop, that’s already been done. So how do you make the most credible news article about Slender Man? You actually go out and make Slender Man happen in a way the news can cover.
Not only that, but these two little girls then gave their best friend the ultimate Slender Man experience by becoming Slender Man for her. It’s sick and it’s twisted, but if we are charging them as mentally fit adults we can’t say they didn’t know the line between reality and fantasy because mentally fit adults do know the line between reality and fantasy. Unless, you have two girls purposefully blurring the line between fantasy and reality in order to contribute to this online community producing Slender Man lore. Slender Man wipes memories and mind controls, remember, which is convenient for all three girls then, including the one in Ohio who say she doesn’t remember anything after trying to stab her mother.
The Wisconsin girls completely changed the meme and contributed significantly to the Slender Man community/phenomenon with their attempted murder, and by doing so in this way, have completely changed the narrative of Slender Man lore. Slender Man used to just be a fantasy. Now he is a reality. He is a reality because anyone can become a proxy for Slender Man if he or she wishes. This is evident in the stabbing of the 13-year-old girl who tried to stab her mother. Three little girls have now stabbed two people in the name of Slender Man, not in a fan fiction or in a video game, but in very, very real life. Like all things digital these days, these girls got instant feedback for it too. And not just from online.
The Verge almost got this right, when they quoted psychologist Peter Langman:
Online communities may provide stronger reinforcement than other forms of media, Langman says, because other people are providing feedback.
Any media outlet that reports on this story and fails to mention that they as an outlet are now contributing to the Slender Man myth, is laughably ignorant and dangerous. The press does not exist in a vacuum. The press cannot blame CreepyPasta and memes but not blame itself or Pew Die Pie.
In fact, the primary driver of the Slender Man myth is no longer Pew Die Pie, Minecraft, CreepyPasta, reddit, 4chan or Something Awful, but the press itself.